The paper discusses the meaning of xinzhai from three aspects ,that is, knowing ,feeling and willing of modern psychology and the connotation of zuowang , and the relation between them.
“心斋”和“坐忘”在庄子思想中是主体体道的基本条件,文章从现代心理学知、情、意三个方面论述了庄子“心斋”和“坐忘”的具体内涵以及二者之间的关系。
(3)Xinzhai and Zuowang are the two main ways of comprehension of Tao,Whic.
它基于以下考察：一、“庄子为楚公族后裔”的假说及文本内证，说明自我问题是庄子焦虑的早期体验中所提出的首要问题；二、庄子关于心我关系的思考在理论层次上解决了自我的本质问题；三、心斋和坐忘是庄子两种最基本的悟道方法，在庄子看来，它们是个体通向逍遥之境（自我解放）的必由之路；四、在一个传道的逻辑结构中，庄子自我论扩展到政治论、认识论、审美论诸方面，庄于思想得以成为一个复杂而庞大的系统。
The forth part dissertates the aesthetics experienced method which includes "Xinzhai".
正是基于此种目的,本文试图采取中西结合的研究方法,借用西方审美体验理论里有关审美体验主体、审美体验对象、审美体验的方法与过程以及中国传统美学审美体验的最高境界等视角切入庄子的美学思想,将庄子的美学思想作为审美体验理论具体阐释为“至人”、“神人”、“圣人”——审美体验的主体;“齐物”——审美体验的对象;“心斋”——审美体验的方法;“坐忘”——审美体验的过程;“物化”——审美体验的最高境界五个部分。
A Re-exploration of Wang Xinzhai s View of Investigating Things in the South of Huai;
王心斋“淮南格物”说新探
Grand Narration and Recessive Expression;
宏大叙事与潜性表达——评《心斋》
The aesthetic spirit of the theory “The fasting of the mind” and “Sit and Forget”;
庄子“心斋”、“坐忘”说的美学意味
The Spiritual Fast of Taoism and Heidegger s Poverty of Human Nature;
道家虚以待物的心斋与海德格尔人本质的贫困
The Differences and the Combinations Among the Taoism, the Confucian School and the Buddhism;
从历代对“心斋”的注解看道家与儒佛心性论的异同
A light meal permitted on fast days.
斋戒时的点心允许在斋戒的日子吃的点心
Tu Chu-chai felt relieved and sneezed violently.
杜竹斋心头一松，随即打了一个大喷嚏。
Tu Chu-chai asked offhandedly, at the same time weighing all the possibilities in his mind.
杜竹斋一面还在心里盘算，一面随口问；
Pu Songling s Mental Development and his Creation of LiaoZhaiZhiYi;
蒲松龄的心路历程与《聊斋志异》的创作
Pusongling's lntention Reflected in Images of Child Described in Strange Stories Recorded In The Chatting Room
从《聊斋志异》儿童形象探析蒲松龄心路
The Errantry World of Liaozhaizhiyi;
悠悠侠义魂 谆谆劝世心——论《聊斋志异》的侠义世界
A Rustic Opinion about the Love between People and Bogeyes in Strange Tales from a Lonely Studio and the Writing Psychology of Pu Songling;
《聊斋志异》的人妖恋情与蒲松龄的创作心态刍议
On Literary Presentation of Zhao Mengfu s Psychological State as a Yuan Dynasty Official in His Songxuezhaiwenji;
论《松雪斋文集》中仕元心理的文学呈现方式
A New Analysis of Celestial Beings and Taoists Subject in Strange Stories from a Lonely Studio;
《聊斋志异》涉仙题材与蒲松龄创作心态浅探
Probing into the Love Between Intellectual and Fox-maiden in Tales from a Carefree Studio according to psychology;
从心理的深层窥探《聊斋志异》之人狐恋情
An insight into Pu Songling s complicated mood from his creation of "Ghost Lore;
从《聊斋志异》看蒲松龄创作时的复杂心态
Inferiority force--discussing creative psychological agent of Pu Song ling s Bizarre Stories;
自卑的力量——谈蒲松龄《聊斋志异》创作的心理动因
"The Legends of Tang Dynasty" and "Liaozhaizhiyi"
唐传奇与《聊斋志异》侠义题材重心的转换
A Study of the Relationship between Strange Tales from a Lonely Studio And Childlike Innocence
真性、趣味与寄托——试探《聊斋志异》与“童心说”之关系
