Punctuations and Relevant Issues in the Analysis of the Verb-Verb Patterns in Outlaws of the Marsh;
《水浒传》中“一VV”的断句及相关问题
Outlaws of the Marsh and the People s Psychological Demands in China s Traditional Community;
《水浒传》与我国传统社会大众心理诉求
Cause Analysis of Violent Thoughts Reflected in Outlaws of the Marsh;
《水浒传》中的暴力思想之成因
On the Author of The Water Margin in Light of Shi Yanduan s Official Career;
从施彦端的“仕途”论《水浒传》的作者
On Effect of Biography of Records of Grand Historian on Narration of The Water Margin;
试论《史记》人物传记对《水浒传》叙事的影响
Taiwei Hong s Mistakenly Releasing Demons in the Water Margin Alluding Wang Anshi s Reform;
《水浒传》写洪太尉误走妖魔在于影射王安石变法
The Adverb "zui(最)" in the Novel Water Margin;
《水浒传》里的副词“最”
Water Margin:gender description of Ecological Implications;
《水浒传》:两性描写中的生态意蕴
On the Religion Attitude in the Narrative of Water Margin;
《水浒传》文本叙事中的宗教态度
On Acceptance of Shuihuzhuan Commented by Jin Shengtan in Qing Dynasty and the Republic of China;
清及民国时期对金批《水浒传》的接受
On the Image of the Immoral Woman Who Dies for the Love in Shuihuzhuan;
论《水浒传》中为爱情而死的“淫妇”形象
On the Character of Liangshan Moor Uprising——The Research Contend of Shuihuzhuan;
漫谈梁山泊起义的性质——《水浒传》研究争鸣
On the Ancient Social Idea of China Lower Strata Masses in All Men Are Brothers;
从《水浒传》看传统中国下层民众的社会理想
The Art of Figures of Speech in Jin Shengtan s Comments on All Men Are Brothers;
金圣叹《水浒传》评点中的比喻艺术
All Men Are Brothers:A Translated Version with Post-colonialist Color;
从人物的再现看赛译《水浒传》的后殖民主义色彩
Study on Shi Qian s Characteristics,Vitality and Revelation in the Novel of Water Margin;
《水浒传》小人物时迁的塑造、价值及启示
The Overseas Interpretations on Water Margin;
《水浒传》文学意义的海外阐释
A Structural Observation on the Wording of "X+地" in the Novel Water Margin;
《水浒传》中“X+地”结构考察
The Evolution of the Heroes of the Outlaws of the Marsh from Yuan Za JU;
水浒英雄在元杂剧与《水浒传》中的嬗变
The Comparison of the Play of Shuihu and All Men are Brothers;
元杂剧水浒戏与小说《水浒传》比较
Relationship between Shuihu multi-operas in the Ming Dynasty and Water Margin;
明代水浒杂剧与《水浒传》的关系度
An ideological research and analysis of Water Margin in 20th century;
20世纪《水浒传》思想研究及《水浒传》思想论析
The Cohesive Relationship between Shu Hui Drama of the Yuan Dynasty and Shui Hu Zhuan;
试论元代水浒戏与《水浒传》之间的相承关系
Unique Exploration of the Artistic Charm of Book of Water Margin--Some Simple Comments about the Individual Legal Matter of the Book of Water Margin;
《水浒传》艺术魅力的独特探索—简评《〈水浒〉公案论》
Yuan Dynasty Opera Based on The Water Margin and the Early development of Its Poetic Structure;
元代水浒戏与《水浒传》诗性结构的先期发育
The Comparison of Female Characters in the Play of Shui hu And in the All men are brothers;
水浒戏中的搽旦与《水浒传》中的女性形象
The Interpretation of Shuihu Drama on the Water Margin in Ming Dynasty and Its Positive Significance
明人水浒戏对于《水浒传》的诠释及其积极意义
Outlaws of the Marsh and the People s Psychological Demands in China s Traditional Community;
《水浒传》与我国传统社会大众心理诉求
Analysis of HONG Ji-tong s Biography and its comparative research with The Water Margin;
《洪吉童传》简析及与《水浒传》的比较研究
All Men are Brothers:Heredity and Variation of the Chivalry-admiring Thought;
《水浒传》:尚侠思想的遗传与变异
Attitudes to Feminie Revealed by Water Margin and Chinese Traditional Culture;
《水浒传》与中国传统文化中的女性观
On "The Water Margin" on the Legal Case of the Inheritance and Development of Novel
试论《水浒传》对公案小说的传承与发展
The Hero's Beginning and Destination of "Outlaws of the Marsh"--new ponder on "Outlaws of the Marsh" of heroic nature debate
水浒英雄的起点与终点——《水浒传》英雄性质论争新思考
The Folk Features of Seular Ethics and Group Selection of the Water Margin Heroes--and on the Brotherhood in the Water Margin
世俗伦理的民间特征与水浒英雄的群体选择——浅论《水浒传》的“义”
All Men Are Brothers：Blood of the leopard》-----
四海之内皆兄弟：豹子的血 《水浒传》
Lin Chong, the hero of The Water Margin, is chief military instructor of eight hundred thousand imperial guard troops.
《水浒传》中的林冲是八十万禁军教头。
