Eastern elements,western techniques——an analysis on the thematic materials and their technical treatments from Chen Yi s Ning,a work for mixed trio.;
东方素材 西方技法——分析陈怡混声三重奏作品《宁》的主题材料及技术处理手段
This paper tries to explore the construction force of rhythm and pitch by illustration of Three pieces for string quartet, and is intended to achieve a more profound understanding of the creative techniques and organizational logic.
本文以《四重奏小品三首》为研究对象，探寻这首作品中节奏和音高的结构力作用，以期达到对这部作品创作技法及组织逻辑的认知。
Politic, Economy and Culture:The Triple Impetus Variation of Chinese Urban Development;
政治·经济·文化——中国城市发展动力的三重变奏
A Theoretical Approach to the Reconstruction of Minority Cultures;
民族文化重构的三重变奏理论初探——兼论石林阿诗玛文化的重构问题
The Changes of Nationality, District and Gens under the Control of the Society--Taking Salt Policy of Southern Gan of the Ming as the Center;
社会控制视野下的国家、地方、宗族的三重变奏——以明代赣南盐政为中心
The violinist walked on the stage and the duo became a trio.
那位小提琴家走上台, 二重奏变成了三重奏组。
The group performing such a composition.
三重奏演出小组演奏三重奏曲的小组
Evolutionism accompanied by the doctrine of “back to the ancients”: discrimination of “San shi shuo” put forward by He Xiu;
进化与复古的双重变奏:何休“三世说”辨析
A composition for three performers.
三重奏曲三个人演奏（或演唱）的乐曲
The Time Subject and Elements’ Variations in Four Quartets;
《四个四重奏》的时间主题与元素变奏
Play it again, Sam; She played the third movement very beautifully.
重新演奏，萨姆；她成功的演奏了第三乐章。
Analyse on the Accent and Performance of Sanxuan Solo Prelude Playing “On a Swing”;
浅析三弦独奏板头曲《打秋千》的重音及其演奏
The Persnalized Creation Characteristic of TrioThe Soldier s Story;
三重奏《士兵的故事》的个性化创作特征
<The Literary Taiwan>:The Trio of The Remembrances、The Understandings and The Imagination;
《文学台湾》:记忆、理解、想象的“三重奏”
An unaccompanied part song scored for three or more male voices that was popular in the18th century.
无伴奏的三部重唱曲无伴奏的三部或多部合唱曲，流行于18世纪
Analysis Erhu Music Horse Race;
解构·重组·变奏·衍生——二胡曲《赛马》分析
The Variation of Immortal and Yuen;
“仙”与“玄”的二重变奏——郭璞《游仙诗》探析
Political development in China: duet-variation of theory and practice;
中国政治发展:理论与实践的双重变奏
Yunnan Bronze Ware: The Dual Variation with Practicality and Aesthetics;
云南青铜器:实用与审美的双重变奏
Re-recognition of Brahms--A Preliminary Probe into Developing Variations;
重新认识勃拉姆斯——展开式变奏的初探
